She’s right there, speaking calmly, and so are you.
And when he came back to, he was flat on his back on the beach in the freezing sand, and it was raining out of a low sky, and the tide was way out.
He imagined that the clock’s second hand possessed awareness and knew that it was a second hand and that its job was to go around and around inside a circle of numbers forever at the same slow unvarying machinelike rate, going no place it hadn’t already been a million times before; and imagining the second hand was so awful it made his breath catch in his throat and he looked quickly around to see if any of the examiners around him had heard it or were looking at him.
fuckyeahmanuscripts:

David Foster Wallace’s 1994 syllabus for “English 102-Literary Analysis: Prose Fiction,” a course he taught at Pomona College

fuckyeahmanuscripts:

David Foster Wallace’s 1994 syllabus for “English 102-Literary Analysis: Prose Fiction,” a course he taught at Pomona College

Lenore runs out into the tiled hall, away. Outside there will be air, Lenore wants out of Rumpus Hall very much, and gets out, finally she does, but only after negotiating a hall door, a stair door, a hall door, and a front door, all locked tight from the inside. Out in the crusty March lawn, by the wash of the well-lit street, amid crowds of boys in blue blazers going up the walk, putting Certs into their mouths, she enjoys a brief nosebleed.
My chest bumps like a dryer with shoes in it. I compose what I project will be seen as a smile.
Lenore feels like a clot in her pretty violet dress and bit of lipstick and bare feet, wondering what to do with her shoes, if she should throw a shoe at Lang, it’s got a sharp heel, are the police on their way?
Mario, what do you get when you cross an insomniac, an unwilling agnostic and a dyslexic?” “I give.” “You get someone who stays up all night torturing himself mentally over the question of whether or not there’s a dog.
What poor old O. claimed was so moving was Himself’s assumption that O. was still cherry. What moved me to feel sorry for Orin was that it seemed pretty obvious that that had nothing to do with what Himself was trying to talk about. It was the most open I’d ever heard of Himself being with anybody, and it seemed terribly sad to me, somehow, that he’d wasted it on Orin. I’d never once had a conversation nearly that open or intimate with Himself. My most intimate memory of Himself was the scratchiness of his jaw and the smell of his neck when I fell asleep at supper and he carried me upstairs to bed.
But most days, if you’re aware enough to give yourself a choice, you can choose to look differently at this fat, dead-eyed, over-made-up lady who just screamed at her kid in the checkout line. Maybe she’s not usually like this. Maybe she’s been up three straight nights holding the hand of a husband who is dying of bone cancer. Or maybe this very lady is the low-wage clerk at the motor vehicle department, who just yesterday helped your spouse resolve a horrific, infuriating, red-tape problem through some small act of bureaucratic kindness. Of course, none of this is likely, but it’s also not impossible. It just depends what you want to consider. If you’re automatically sure that you know what reality is, and you are operating on your default setting, then you, like me, probably won’t consider possibilities that aren’t annoying and miserable. But if you really learn how to pay attention, then you will know there are other options. It will actually be within your power to experience a crowded, hot, slow, consumer-hell type situation as not only meaningful, but sacred, on fire with the same force that made the stars: love, fellowship, the mystical oneness of all things deep down.